The first band to make sense of hardcore for me was Husker Du. I got Zen Arcade while still in high school. The band had been drifting away from their more straight-up loud-fast-rules hardcore for a few records. This record was a sprawling double-LP set of youthful angst and alienation played through most of the set with a primal urgency and reckless abandon (the record was completed in a few days, I recall). But there were truly pretty moments of almost quietude – a piano vignette here, a meditative feedback squall there. And one of the prettiest melodies on the record is song called “Pink Turns to Blue,” sung by Grant Hart and set to a driving attack from the band. It was the perfect record for a high school kid like me, lyrically and musically. Probably a lot like Born to Run was for kids a little older than me, and how the Hold Steady, another great Minneapolis band, might be for a kid hip to that sort of thing now, songs about fearing life in a dead-end suburb, factory jobs, drug abuse, broken homes, inability to keep young relationships together – in other words, complex emotional subjects that were far different than the didactic coldness of most hardcore.
But of course, this meant that Husker Du was no longer “hardcore.” This was fine for me, even as I went back and delved into their more raw early records. But it was Zen Arcade, New Day Rising, and Candy Apple Gray, which form one of those classic mid-career trifectas for me and many more like me, including Chris and Tom from Buffalo Tom. Our shared love for these records was one of the main impetuses for bringing us together to form a band.
Thursday, February 12, 2009
In A Free Land
Buffalo Tom leader Bill Janovitz is writing a firsthand history of '80s-'90s alternative rock on his blog. This week's installment (MP3 included!) recalls his disdain for hardcore until a little band called Husker Du came along.