Sunday, March 01, 2009

Sunday Menu

  • Novelist/screenwriter Tom Perrotta (Election) on Tracy Flick, the character whose name has become a shorthand for a certain type of female politician. (TNR)

    Q: Do any of the Tracy comparisons seem reasonable to you?

    A: I see the storyline similarities with Hillary last year: There's the hard-working, doggedly ambitious female character being challenged by the affable guy who seems to have just waltzed in and claimed it by being. But that's not entirely fair to either Hillary or Obama. As far as Palin, her accent really connected people back to Reese Witherspoon's character, I think. And like Tracy, she has a perkiness that masks some real aggression. On the other hand, Tracy would've been someone whose resume looked more like Hillary's: Ivy-league track, always at the top of the class. Especially with Palin, I don't feel as if Tracy Flick was the best comparison. I just think people are made uncomfortable by ambitious women.



  • Roger Ebert's post on French icon Agnes Varda has me searching Netflix for Varda's films.

    She made five short films between 1954 and 1961, before starting "Cleo from 5 to 7," the first feature that gained wide attention. Her friend Jean-Luc Godard had experienced enormous success with "Breathless," sometimes described as the first New Wave film. His producer asked him to recommend someone else "like him," who could make a low-budget black and white film that would tap the same market. He recommended Varda.

    The film's title refers to the afternoon hours when French married people meet their lovers, but Cleo (Corinne Marchand) is not simply a lover. She is a singer who fears she's dying of cancer, and we follow her as she passes time waiting for the result of a biopsy. The film achieved much notice for the way it photographed Cleo on real streets and in real shops with real people; what is remarkable is that Varda achieved this not with a hand-held documentary look but with elegantly composed and edited shots that revealed her compositional background as a photographer.




  • Don't get on Lily Allen's bad side.


    When you read magazines such as NOW, People ,US weekly, Heat, More etc they print pictures that they buy from other magazines for instance, I’ll do a shoot and an interview with SPIN magazine or Observer Music Monthly and they might syndicate those pictures or sell them to other magazines. These magazines will then print those pictures alongside a whole bunch of quotes lifeted from previous interviews. This can be incredibly misleading and tedious as I would never sit down and do an interview with most of the tabloidy magazines. I’ve been trying t clamp down on this more recently, and now, when I do a photo shoot , I get the magazine to sign a contract saying they wont syndicate the photographs without my consent. I don’t do this because im a snob, it’s more because the more credible magazines are unlikely to take me seriously and work with me if it looks like I’ve been doing interviews with whoever will listen.
  • No comments: