DFW annotated

if you read the recent long New Yorker piece on David Foster Wallace then this attempt to annotate the article Wallace-style may be unnecessary, but it will be a quick catch-up for those unfamiliar with Wallace's abbreviated life and career. (The Rumpus)

26. Some of Wallace’s notes on endnotes:

“He explained that endnotes ‘allow . . . me to make the primary-text an easier read while at once 1) allowing a discursive, authorial intrusive style w/o Finneganizing the story, 2) mimic the information-flood and data-triage I expect’d be an even bigger part of US life 15 years hence. 3) have a lot more technical/medical verisimilitude 4) allow/make the reader go literally physically ‘back and forth’ in a way that perhaps cutely mimics some of the story’s thematic concerns . . . 5) feel emotionally like I’m satisfying your request for compression of text without sacrificing enormous amounts of stuff.’”

“He was known for endlessly fracturing narratives and for stem-winding sentences adorned with footnotes that were themselves stem-winders. Such techniques originally had been his way of reclaiming language from banality, while at the same time representing all the caveats, micro-thoughts, meta-moments, and other flickers of his hyperactive mind.”