Sunday, June 05, 2016
The Lobster runs societal conventions of coupling and connectedness through a dark, satirical gauntlet, and the result is tonally unlike any other film I've seen in a great while. A man named David (Colin Farrell), newly single, is sent to a hotel where he and all the other new single guests are put on the clock. If they don't find suitable partners within 45 days then each will be turned into the animal of his or her choosing. David, whom Farrell plays in low-key schlub mode, chooses a lobster for the animal's long life span and fertility and is congratulated on his originality by the hotel's manager (Olivia Colman). David makes a couple of male friends (John C. Reilly and Ben Whishaw) at the hotel but finding a new partner is slower work; it involves awkward dances and trying to find the one characteristic that will signal a perfect match to a female guest. What exactly is going on here? The Lobster comes from the find of cowriter/director Yorgos Lanthimos, whose earlier Dogtooth (unseen by me) was a smaller scale story of an attempt to control understanding of the way we perceive the world. Lanthimos finds no joy or even much humanity in the prospect of the hotel guests partnering up. David and his fellow singles are forced to watch bizarrely dry demonstrations in which a hotel maid (Ariane Labed) and her coworkers act out that the reason to be together is so that things like choking or sexual assault might be avoided.
David and his friends can extend their stay by hunting "Loners", a band of single people who live in the forest outside the hotel. Each Loner captured earns an extra day's stay, and David is smitten with a woman (Angeliki Papoulia) whose hunting skills have given her over 100 extra days. The Lobster is narrated by a Loner (Rachel Weisz) that David eventually develops a connection with, but the film pushes the two towards an unforgiving conclusion after the existential Loner leader (Lea Seydoux) takes violent action. (The Loners aren't allowed romantic entanglements.) To say more of the plot would be to spoil the ironic ending, but the last shot of the film will make you consider just exactly whose story we've been watching. The Lobster is finally a story about the way the world pushes our hearts towards a certain kind of order even when it's only what we think we want. After seeing it you'll never worry again about whether you and your date have anything in common.