Sunday, February 12, 2017
John Wick Chapter 2 (mild spoilers)
I never got around to John Wick on its release in 2014. The idea of an action film starring Keanu Reeves that had something to do with a dead dog didn't exactly inspire confidence. Besides we're all busy, right? John Wick of course became a surprise hit, and when I finally saw it I enjoyed the way it used Keanu Reeves's odd intensity and the lengths gone to in order to create the film's insular, assassins-only universe. Here we are then with John Wick Chapter 2, with director Chad Stahelski and writer Derek Kolstad returning. (For the story of how Stahelski went from stuntman to director, go here.) Keanu Reeves is back too of course, and the opening sequence of Chapter 2 finds Wick cleaning up business from the first film involving yet another Russian gangster (Peter Stormare) and possession of a certain vintage car. As in the first Wick Stahelski shoots action in wide shot, letting performance do the work as opposed to editing. Characters run at John Wick from all directions, and are dispatched with a gunshot, knife, or martial arts move, and Wick doesn't come through unscathed either.
Watching both John Wick "chapters" within a week produces a kind of exhilarating deadness, a state in which one both admires the technical skill and spatial coherence on display in the shootouts and grows tired of how inconsequential the gunplay feels. Part of the fun of the first John Wick was figuring out the rules that the characters operated under. The gold coins, the always on call cleanup crew, the cop (Thomas Sadoski) who's both indifferent to and fascinated by what's happening, and especially the hotel for assassins run by Winston (Ian McShane, back for Chapter 2 in an expanded role) all set boundaries for the film's moral universe. The fact that nothing in the first John Wick after the home invasion seemed to have any real world consequences gave a kind of permission to enjoy that film's succession of shootouts and betrayals, and we could feel comfortable knowing that at least some rules - no killing at the hotel - did apply. John Wick Chapter 2 attempts to build that idea out with unfortunate results.
So, what is John Wick Chapter 2 "about"? The plot involves an old debt of Wick's and an Italian named Santino (Riccardo Scamarcio) who wants a seat at the "High Table", which seems to be the worldwide governing council of assassins. Wick is forced to shoot his way out of Italian catacombs and knife his way out of a subway car, and the closer that Wick and his adversaries - there are extended fights with characters played by Common and a silent Ruby Rose - get to the "real world" the more uneasy the film becomes. When Wick fights a man on Italian streets there's not a civilian to be found, but when the story returns to New York there are action scenes in public spaces, and the shakiest moment involves Wick quietly exchanging silenced gunfire with Common's character over the heads of an unwitting crowd. Either the behavior in Chapter 2 means something or it doesn't, and the use of extras only as obstacles creates a sour aftertaste. It is also worth mentioning at this point how boring much of Chapter 2 is. Characters take exaggerated pauses between lines, the initial setup is very slow, and time is wasted explaining the attributes of various weapons that could have been spent on the power structure of the world we're in. Why isn't McShane's Winston afraid of the High Table? Who is the character played by Laurence Fishburne other than a man who turns up at just the right moment to provide Wick the help he needs?
The climactic shootout of Chapter 2 takes place in a hall of mirrors, which is as close as the film gets to having any of its characters look at themselves. There's an epilogue of sorts which suggests that Wick will be in hell soon if he isn't already there, and I hope that if there's a third Wick chapter the filmmakers will commit to grounding the story in a way they couldn't pull off here. Free John Wick!